The soldier, in a long blue cloak, stands at the right and clasps the hand of a small girl. Behind her another girl raises her hand in a gesture of farewell. These may well represent the soldier's children, indicating that the mercenaries settled in Alexandria and raised families.
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Title:Painted limestone funerary slab with a soldier and two girls
Date:2nd half of 3rd century BCE
Dimensions:Other: 16 1/2 × 9 5/8 × 3 7/8 in. (41.9 × 24.4 × 9.8 cm) Other (Panel): 7 1/4 × 6 3/4 in. (18.4 × 17.1 cm)
Credit Line:Gift of Darius Odgen Mills, 1904
Inscription: Painted inscription: “Isidoros, a Galatian”
Found in 1884 in a tomb in Alexandria, Egypt (near Ramleh)
1884, found in a tomb in Alexandria, Egypt; 1884, purchased by Elbert E. Farman, New York; after 1887, purchased by Darius Ogden Mills from Elbert E. Farman; until 1904, collection of Darius Ogden Mills; acquired in 1904, gift of D.O. Mills.
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Gillett, Charles R. 1898. The Metropolitan Museum of Art. Egyptian Antiquities in Halls 3 and 4. no. 838, p. 57, New York: The Metropolitan Museum of Art.
Reinach, A. J. 1910. "“Les Galates dans l’Art Alexandrin.”." Monuments et mémoires de la Fondation Eugène Piot, 18(1): no. 8, p. 54.
Pagenstecher, Rudolf. 1919. Nekropolis: Untersuchungen über Gestalt und Entwicklung der alexandrinischen Grabanlagen und ihrer Malereien. no. 52, pp. 53–4, Leipzig: Giesecke & Devrient.
Richter, Gisela M. A. 1927. Handbook of the Classical Collection. p. 192, New York: The Metropolitan Museum of Art.
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Richter, Gisela M. A. 1953. Handbook of the Greek Collection. p. 132, Cambridge, Mass.: Harvard University Press.
Brown, Blanche R. 1957. Ptolemaic Paintings and Mosaics and the Alexandrian Style. pp. 17, 22, pl. VI,2, Cambridge, Mass.
Birren, Faber. 1965. History of Color in Painting. p. 16, New York: Van Nostrand Reinhold Co.
Cook, Brian. 1966. Inscribed Hadra Vases in the Metropolitan Museum of Art, Papers of the Metropolitan Museum of Art, Vol. 12. pp. 12, 16–8, New York: The Metropolitan Museum of Art.
Marszal, John R. 2000. "Ubiquitous Barbarians. Representations of the Gauls at Pergamon and Elsewhere." From Pergamon to Sperlonga. Sculpture and Context, N.T. de Grummond and B.S. Ridgway, eds. p. 198, n. 34, Berkeley, Los Angeles, London: University of California Press.
Picón, Carlos A. 2007. Art of the Classical World in the Metropolitan Museum of Art: Greece, Cyprus, Etruria, Rome no. 213, pp. 186, 447, New York: The Metropolitan Museum of Art.
Leona, Marco and Dr. Seán Hemingway. 2009. "The Materiality of Art: Scientific Research in Art History and Art Conservation at the Metropolitan Museum." Bulletin of the Metropolitan Museum of Art, 67(1): p. 8, fig. 8.
Casagrande-Kim, Roberta. 2014. When the Greeks Ruled Egypt: From Alexander to Cleopatra cat. 121, pp. 37–8, 104, fig. 2-7, Princeton and Oxford: Institute for the Study of the Ancient World, New York University.
Abramitis, De and Mark Benford Abbe. 2019. "A group of painted funerary monuments from Hellenistic Alexandria in the Metropolitan Museum of Art." Techne : Journal of Technology for Architecture and Environment, 48: pp. 60–71, figs. 1–10.
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