The representation here shows the typical Athenian lady surrounded by attendants holding caskets and vases for oil. Its significance is altered by the inscriptions, which identify Aphrodite as the seated figure and her companions as Peitho (Persuasion), Hygeia (Health), Eudaimonia (Good Fortune), Eukleia (Good Repute), Eunomia (Good Order), Paidia (Play). The pyxis was undoubtedly a wedding gift.
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[Until 1909, with Jean P. Lambros, Athens]; acquired in 1909, purchased from J.P. Lambros.
Richter, Gisela M. A. 1910. "Department of Classical Art: The Accessions of 1909. III. Vases and Terracottas." Bulletin of the Metropolitan Museum of Art, 5(6): pp. 143, 145, fig. 7.
Richter, Gisela M. A., Marjorie J. Milne, and The Metropolitan Museum of Art. 1922. Shapes of Greek Vases. New York.
Richter, Gisela M. A. and Marjorie J. Milne. 1935. Shapes and Names of Athenian Vases. p. 21, fig. 145, New York: Plantin Press.
Richter, Gisela M. A. and Lindsley F. Hall. 1936. Red-Figured Athenian Vases in the Metropolitan Museum of Art. no. 161, pp. 202–3, pls. 159, 178, New Haven: Yale University Press.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. p. 103, Cambridge, Mass.: Harvard University Press.
Beazley, John D. 1963[1942]. Attic Red-figure Vase-painters, Vols. 1 and 2, 2nd ed. p. 1328, no. 99, Oxford: Clarendon Press.
Beazley, John D. 1971. Paralipomena: Additions to Attic Black-Figure Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. p. 479, Oxford: Clarendon Press.
Beck, Frederick A. G. 1975. Album of Greek Education: The Greeks at School and at Play. p. 52, fig. 330, Sydney: Cheiron Press.
Wehgartner, Irma. 1983. Attisch Weissgrundige Keramik: Maltechniken, Werkstätten, Formen, Verwendung. p. 217, n. 15, Mainz am Rhein: Verlag Philipp von Zabern.
Lexicon Iconographicum Mythologiae Classicae (LIMC). 1984. Vol. 2: Aphrodisias-Athena. "Aphrodite," p. 121, no. 1263; "Aponia," p. 465, no. 1, pl. 354, Zürich: Artemis Verlag.
Jacquemin, Anne and Jean-Jacques Maffre. 1986. "Nouveaux vases grecs de la collection Zénon Piéridès à Larnaca (Chypre)." Bulletin de Correspondance Hellénique, 110(1): p. 196 n. 69.
Lexicon Iconographicum Mythologiae Classicae (LIMC). 1988. Vol. 4: Eros-Herakles. "Eudaimonia I," p. 47, no. 6, pl. 22; "Eukleia," p. 50, no. 6, Zürich: Artemis Verlag.
Sobel, Hildegard. 1990. Hygieia: Die Göttin der Gesundheit. no. 6, p. 75, Darmstadt: Wissenschaftliche Buchgesellschaft.
Shapiro, Harvey Alan. 1993. Personifications in Greek Art: The Representation of Abstract Concepts, 600-400 B.C.. pp. 17, 32–33, 66, 78, 82, 129–30, 181–82, 203, 230, fig. 1, Zürich: Akanthus.
Söldner, Magdalene. 1993. "Statuenbasen?." Jahrbuch des Deutschen Archäologischen Instituts, 108: p. 301 n. 318.
Lonsdale, Steven. 1993. Dance and Ritual Play in Greek Religion. pp. 33–4, fig. 6, Baltimore: The Johns Hopkins University Press.
Lexicon Iconographicum Mythologiae Classicae (LIMC). 1994. Vol. 7: Oidipous-Theseus. "Paidia," p. 141, no. 4, pl. 94; "Peitho," p. 246, no. 29, pl. 180, Zürich: Artemis Verlag.
Ferrari, Gloria and Richard E. Stone. 1995. "The End of Aponia." Metropolitan Museum Journal, 30: pp. 17–18, figs. 1–2.
Boegehold, Alan L. 1999. When a Gesture Was Expected. p. 34, figs. 27–28, Princeton: Princeton University Press.
Osborne, Robin. 2000. "The Art of Personification on Athenian Red-Figure Pottery." Apollo, 152: p. 12, fig. 6.
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The Museum's collection of Greek and Roman art comprises more than 30,000 works ranging in date from the Neolithic period to the time of the Roman emperor Constantine's conversion to Christianity in A.D. 312.
