Obverse and reverse, frontal quadriga between youths and inscription: Hischylos made [me]
The band-cup was produced concurrently with the lip-cup; the two shapes are often designated Little-Master cups owing to their small scale. The later band-cups often have more ambitious compositions than occur on lip-cups. The subject here is a quadriga, a four-horse chariot, seen from the front. Artistically, the perspective advances beyond the profile horsemen favored by Lydos.
Signature: Signed by Hischylos as potter
Inscription: Inscribed: "Hischylos made [me]"
Richter, Gisela M. A. 1930. "Recent Accessions in the Classical Department." Bulletin of the Metropolitan Museum of Art, 25(5), part 1: pp. 136–37, fig. 6.
Richter, Gisela M. A. 1953. Handbook of the Greek Collection. pp. 60, 202, pl. 42b, Cambridge, Mass.: Harvard University Press.
Richter, Gisela M. A. 1953. Corpus Vasorum Antiquorum. United States of America 11. The Metropolitan Museum of Art 2. Attic Black-Figured Kylikes. pl. XIV, Cambridge, MA: Harvard University Press.
Beazley, John D. 1956. Attic Black-figure Vase-painters. pp. 167, 688, no. 2 top, Oxford: Clarendon Press.
Cohen, Beth and University of Chicago Press. 1991. "The Literate Potter: A Tradition of Incised Signatures on Attic Vases." Metropolitan Museum Journal, 26: pp. 53, 58–60, 69, fig. 11.