Pierre-Louis Pierson French

Not on view

The mid-nineteenth century saw the simultaneous birth of couture, photography, and modern art. For women of the aristocracy, as well as the aspiring bourgeoisie, the three arts provided a new world of spectatorship and self-satisfaction. Virginia Oldoini, Countess Castiglione, was a voracious client of both couture and photography, acquiring fashion from the new maisons de couture of Worth and Pingat. The altered image further suggests the client's intervention.

Ritrosetta, Pierre-Louis Pierson (French, 1822–1913), Salted paper print from glass negative with applied color

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.


Public domain data for this object can also be accessed using the Met's Open Access API.