This photograph is informed by the artist's experiences as an advertising photographer, X-ray technician, and assistant to Man Ray. By printing through a sandwich of several negatives, Tabard fabricated a nude that inhabits no definable space or time. She is at once Pygmalion's Galatea or Botticelli's Venus while remaining a Parisian model who has just stripped off her stockings. For the Surrealists, the female form was the subject of endless, obsessive reworkings.
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Credit Line:Ford Motor Company Collection, Gift of Ford Motor Company and John C. Waddell, 1987
Accession Number:1987.1100.141
Inscription: Signed and inscribed on print, verso C: "Tabard // 1929"; inscribed on print, verso LL: "TABARD I";
Lucien Treillard; [Prakapas Gallery, Bronxville, New York]; John C. Waddell, New York (July 15, 1983)
The Metropolitan Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," September 23–December 31, 1989.
San Francisco Museum of Modern Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 28–April 22, 1990.
Los Angeles County Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," May 10–July 15, 1990.
High Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 5–April 28, 1991.
Museum of Fine Arts, Boston. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," June 8–August 4, 1991.
IVAM, Centre Julio Gonzalez, Valencia. "The New Vision, IVAM, Centre Julio Gonzalez, Valencia," January 20, 1995–March 26, 1995.
New York. The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 21," September 22, 1998–January 18, 1999.
The Metropolitan Museum of Art, Modern and Contemporary Art. "Reimagining Modernism - Photographs Rotation 1," July 21–November 16, 2014.
The Metropolitan Museum of Art. "Photography between the Wars: Selections from the Ford Motor Company Collection." The Metropolitan Museum of Art Bulletin (Spring 1988). p. 33.
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