Distortion #6

André Kertész American, born Hungary

Not on view

Kertész accentuated the narrow ribcage and long waist of the ideal contemporary woman by photographing his model in a carnival mirror. If the top half of this beautiful nude resembles those Modigliani painted, the swell of the haunch recalls Mannerist nudes and their nineteenth-century revivals, especially Ingres' grande odalisque.

No image available

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.


Public domain data for this object can also be accessed using the Met's Open Access API.