A.M. Cassandre's famous poster plays with the name of the aperitif: Dubo (du beau, "beautiful"), Dubon (du bon, "good"), Dubonnet. The solitary woman is as oblivious to this jaunty refrain as she is to the inviting smile of the top-hatted fellow at her shoulder. Kertesz saw these inapposite conjunctions and in the same instant knew that the pedestrian departing the poignant scene should not be allowed to make his getaway.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Inscription: Signed and inscribed in pencil on print, verso LC: "A Kertész // A [illegible] 22. 1983"; stamped in ink on print, verso C: "FOR ONE REPRODUCTION ONLY"; printed on label attached to print, verso C: "CAUTION // License to reproduce this photograph on which a copyright // is pending, will be granted upon acceptance of the terms quoted. // If purchased it is for your publication only, and must not be syndicated, rented, loanded or used for advertising purposes // CREDIT LINE MUST READ: PHOTO // KERTESZ [in pencil] FROM EUROPEAN";
[Edwynn Houk Gallery to Waddell, April 24, 1983]; John C. Waddell
The Metropolitan Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," September 23–December 31, 1989.
San Francisco Museum of Modern Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 28–April 22, 1990.
Los Angeles County Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," May 10–July 15, 1990.
High Museum of Art. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," February 5–April 28, 1991.
Museum of Fine Arts, Boston. "The New Vision: Photography between the World Wars. The Ford Motor Company Collection at The Metropolitan Museum of Art," June 8–August 4, 1991.
IVAM, Centre Julio Gonzalez, Valencia. "The New Vision, IVAM, Centre Julio Gonzalez, Valencia," January 20, 1995–March 26, 1995.
National Gallery of Art, Washington D.C. "André Kertész," February 6, 2005–May 15, 2005.
Los Angeles County Museum of Art. "André Kertész," June 12, 2005–September 5, 2005.
International Center of Photography. "André Kertész," September 16, 2005–November 27, 2005.
New York. The Metropolitan Museum of Art. "Street," March 5–May 27, 2013.
The Metropolitan Museum of Art. "Paris as Muse: Photography, 1840s – 1930s," January 27–May 4, 2014.
Naef, Weston J., Sandra S. Phillips, and David Travis. André Kertész: Of Paris and New York. New York: The Metropolitan Museum of Art, 1985. no. 111, p. 79.
Metropolitan Museum of Art. "Photography between the Wars: Selections from the Ford Motor Company Collection." The Metropolitan Museum of Art Bulletin (Spring 1988). p. 51.
Hambourg, Maria Morris. The New Vision: Photography between the World Wars, Ford Motor Company Collection at the Metropolitan Museum of Art. New York: The Metropolitan Museum of Art, 1989. no. 30.
André Kertész (American (born Hungary), Budapest 1894–1985 New York)
1946, printed ca. 1978
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's Department of Photographs houses a collection of more than 75,000 works spanning the history of photography from its invention in the 1830s to the present.
