Morning
Clarence H. White American
Not on view
Morning perfectly embodies the tenets of Pictorialism: expressive, rather than narrative or documentary, content; craftsmanship in the execution of the print; and a carefully constructed composition allied to Impressionist and American Tonalist painting and to popular Japanese prints. His photographs from the period before he moved to New York in 1906 signaled a remove from the modern urban world. Neither genre scene nor narrative tableau, this photograph is a retreat into domesticized nature.
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