Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts)
Josiah Johnson Hawes (American, Wayland, Massachusetts 1808–1901 Crawford Notch, New Hampshire)
8.3 x 7.0 cm (3 1/4 x 2 3/4 in.)
Gift of I. N. Phelps Stokes, Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes, 1937
Not on view
Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes, or Edward S. Hawes, Alice Mary Hawes, and Marion Augusta Hawes; [Holman's Print Shop, Boston]; I.N. Phelps Stokes, New York
The Metropolitan Museum of Art. "The Hawes-Stokes Collection of American Daguerreotypes by Albert Sands Southworth and Josiah Johnson Hawes," November 4, 1939–December 7, 1939.
Rudisill, Richard. Mirror Image: The Influence of the Daguerreotype on American Society. 1st ed. Albuquerque: University of New Mexico Press, 1971. p. 285.
Moore, Charles LeRoy. "Two Partners in Boston: The Careers and Daguerreian Artistry of Albert Southworth and Josiah Hawes." Master's thesis, University of Michigan, 1975. no. 14.
Pfister, Harold Francis. Facing the Light: Historic American Portrait Daguerreotypes. Washington, D.C.: National Portrait Gallery, Smithsonian Institution, 1978. no. 22A, p. 350.
Romer, Grant B., and Brian Wallis, ed. Young America: The Daguerreotypes of Southworth & Hawes. New York: George Eastman House International Museum of Photography and Film, 2005. no. 322.
Copy daguerreotype after original of Taylor by James Magquire of New Orleans. Taken upon Taylor's return from Mexican campaign.
Notes: The Boston Daily Evening Transcript, February 8, 1848, reported that "Messrs Southworth & Hawes have just recieved since his return from Mexico." This is apparently a copy daguerreotype from the original by James Maguire of New Orleans.