The sculptor Emmanuel Frémiet's (1824-1910) acute observation of anatomical structure-sometimes carried out at the morgue-and his dexterous modeling of minute physiological details brought him fame at a time when naturalism was ascendant. The original negative (now lost), may have been the product of collaboration between Tournachon and his brother, Nadar.
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Title:Emmanuel Frémiet
Artist:Adrien Tournachon (French, 1825–1903)
Date:1854–55
Medium:Salted paper print from glass negative
Dimensions:24.6 x 17.3cm (9 11/16 x 6 13/16in.)
Classification:Photographs
Credit Line:Gilman Collection, Purchase, Alfred Stieglitz Society Gifts, 2005
Object Number:2005.100.45
Inscription: Inscribed in ink, recto RC, in Nadar's hand: "Frémiet"; stamped on recto BL: "Nadar jne" [cropped]; inscribed in pencil, verso C, in Nadar's hand: "Frémiet"; inscribed in pencil, verso TC: "fremiet //14 sous-verre // fremiet"; stamped in purple ink on print, verso CR: "[Illegible]"
[...]; [Gérard Lévy, Paris]; [Graphics International]; Gilman Paper Company Collection, New York, purchased July 30, 1980
Philadelphia Museum of Art. "The Second Empire, 1852-1870: Art in France under Napolean III," October 1, 1978–November 26, 1978.
Musée d'Orsay. "L'invention d'un regard," October 2, 1989–December 31, 1989.
New York. The Metropolitan Museum of Art. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," May 25–July 4, 1993.
Edinburgh International Festival, Edinburgh, Scotland. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," August 7–October 2, 1993.
Musée d'Orsay. "Nadar," June 7–September 11, 1994.
National Gallery of Art, Washington D.C. "The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection," June 19–September 11, 1994.
New York. The Metropolitan Museum of Art. "Portraits: A Century of Photographs," September 10, 2002–January 13, 2003.
Bibliothèque nationale de France. "Les Nadar," October 16, 2018–February 3, 2019.
Moulin, Jean-Marie. The Second Empire, 1852–1870: Art in France Under Napolean III. Philadelphia: Philadelphia Museum of Art, 1978. no. VIII-27.
Hambourg, Maria Morris, Pierre Apraxine, Malcolm Daniel, Virginia Heckert, and Jeff L. Rosenheim. The Waking Dream: Photography's First Century, Selections from the Gilman Paper Company Collection. New York: The Metropolitan Museum of Art, 1993. no. 60.
Hambourg, Maria Morris, Françoise Heilbrun, and Paul Néagu. Nadar. New York: The Metropolitan Museum of Art, 1995. no. 30.
DesChamps, Julie Lattin. "Vernis Cuir and the Photographs of Adrien Tournachon." In Coatings on Photographs: Materials, Techniques, and Conservation. Washington, D. C.: American Institute for Conservation of Historic and Artistic Works, 2005. pp. 276–287.
Aubenas, Sylvie, and Anne Lacoste. Les Nadar: Une légende photographique. Paris: Bibliothèque nationale de France, 2018. no. 92, p. 157.
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