With the financial security that came from the sale of the majority of his negatives of old Paris to the French government in fall 1920, Atget felt able to photograph for his own pleasure. Free from the concerns of commercial utility, he made many of his most beautiful and original photographs in the final years of his life. This spot was a favorite of the landscape painter Camille Corot–the pond was, in fact, often called "Corot's pond." Atget caught the simple rowboat in the embrace of tree branches and their reflection.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Medium:Matte albumen silver print from glass negative
Dimensions:Image: 17.4 x 22.5 cm (6 7/8 x 8 7/8 in.)
Classification:Photographs
Credit Line:Gilman Collection, Purchase, Ann Tenenbaum and Thomas H. Lee Gift, 2005
Accession Number:2005.100.435
Inscription: Inscribed in the negative, BR: "1215," [in reverse]; inscribed in pencil on print, verso BC: "Ville d'Avray (Etang)"; inscribed in pencil on print, verso TL "D // 1215"; stamped in black ink on print, verso C: "E. ATGET // Rue Campagne-Première, 17 bis"; inscribed in pencil on print, [right of stamp]: "17 bis"
Eugène Atget; Berenice Abbott; [Paul Katz, North Bennington, VT]; Gilman Paper Company Collection, New York, June 2, 1979
Museum of Fine Arts, Houston. "The Art of Photography 1839-1989," February 4, 1989–April 30, 1989.
National Gallery of Australia. "The Art of Photography 1839-1989," June 17, 1989–August 27, 1989.
Royal Academy of Arts. "The Art of Photography 1839-1989," September 23, 1989–December 23, 1989.
The Metropolitan Museum of Art. "Johnson Gallery, Selections from the Collection 41b," October 3, 2005–January 8, 2006.
The Metropolitan Museum of Art. "Framing a Century: Master Photographers, 1840–1940," June 3–September 1, 2008.
Tokyo Metropolitan Art Museum. "Earth, Sea, and Sky: Nature in Western Art—Masterpieces from The Metropolitan Museum of Art," October 6, 2012–January 4, 2013.
Beijing. National Museum of China. "Earth, Sea, and Sky: Nature in Western Art—Masterpieces from The Metropolitan Museum of Art," February 8–May 9, 2013.
Abbott, Berenice. The World of Atget. New York: Horizon Press, 1964. pl. 180.
Hambourg, Maria Morris, and John Szarkowski. The Work of Atget: Old France. Vol. 1. New York: Museum of Modern Art, New York, 1981. fig. 71.
Apraxine, Pierre. Photographs from the Collection of the Gilman Paper Company. Reeds Springs, Mo.: White Oak Press, 1985. pl. 147.
Weaver, Mike, ed. The Art of Photography, 1839–1989. New Haven: Museum of Fine Arts, Houston, 1989. p. 264.
Barnet, Peter, and Atsuyuki Nakahara. Earth, Sea, and Sky: Nature in Western Art: Masterpieces from The Metropolitan Museum of Art. Tokyo: The Metropolitan Museum of Art, 2012. no. 85, pp. 142, 243.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's Department of Photographs houses a collection of more than 75,000 works spanning the history of photography from its invention in the 1830s to the present.
