Vessels in this form of reclining figure are peculiar to ancient Ecuador, where they were made from at least the second millennium B.C. The male figure lies comfortably facing upward, supporting his head with his right hand while his left arm rests across his stomach. His knees are slightly raised. The entire figure, including the head, arms, and legs, form the container. A large round hole on the side is the container opening. The face, with a disproportionately large nose—a characteristic of Manteño faces—is finely sculpted. Ear ornaments are worn; a metal ring is fastened in the left ear. The ornament is missing from the right ear. Also missing is the nose ring that would have been worn in the septum. Much of the figure's body, its cap, one leg, and both arms are ornamented with an incised fret design filled in with white pigment. It creates a strong contrast to the black, burnished surface. In real life, such body decoration probably was applied with cylinder stamps.
Margaret and Tessim Zorach, New York, until 1988
Lapiner, Alan C. Pre-Columbian Art of South America. New York: H. N. Abrams, 1976, p. 361, 782.
Artist:Bernard Palissy (French, Agen, Lot-et-Garonne 1510–1590 Paris) and workshop Date:probably 1556–67Medium:Earthenware with colorless and transparent or opaque pigmented green, purple, blue, yellow, red-brown, and black lead glazes.Accession:1975.1.1620On view in:Gallery 951