Between Earth and Heaven

El Anatsui Ghanaian
2006
On view at The Met Fifth Avenue in Gallery 341
This work by an African master of international renown is a highly original creation that constitutes a response to a classic canonical form of expression. It is a powerful instance of the vitality of contemporary expression in Africa and the continuity that exists with the traditional forms that are the focus of the Metropolitan Museum of Art's collection. The recent series of works that "Between Earth and Heaven" relates to refer to the celebrated West African traditions of strip-woven textiles namely that of Kente developed by Akan and Ewe weavers in Anatsui's native Ghana. Those traditional textiles are at once monumental in scale and highly sculptural in the way they drape the body as the apparel of leaders. The undulation of this work evokes that tactile quality and its resplendent color scheme of gold, red, and black translate and transpose the aesthetic of finely woven silk into the medium of base metal.

Artwork Details

Object Information
  • Title: Between Earth and Heaven
  • Artist: El Anatsui (Ghanaian, born Anyako, 1944)
  • Date: 2006
  • Geography: Nigeria, Nsukka
  • Medium: Aluminum, copper wire
  • Dimensions: H. 86 3/4 in. × W. 10 ft. 8 in. × D. 8 in. (220.3 × 325.1 × 20.3 cm)
  • Classification: Miscellaneous
  • Credit Line: Purchase, Fred M. and Rita Richman, Noah-Sadie K. Wachtel Foundation Inc., David and Holly Ross, Doreen and Gilbert Bassin Family Foundation and William B. Goldstein Gifts, 2007
  • Object Number: 2007.96
  • Rights and Reproduction: © El Anatsui. Courtesy of the artist and Jack Shainman Gallery, New York
  • Curatorial Department: The Michael C. Rockefeller Wing

Audio

Cover Image for 9729. Between Earth and Heaven, El Anatsui

9729. Between Earth and Heaven, El Anatsui

El Anatsui

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ANGELIQUE KIDJO (NARRATOR): Renowned sculptor El Anatsui created this splendid, glittering metallic tapestry.

Here is the artist reflecting on aesthetics.

EL ANATSUI: In many of our traditions in Africa, we don’t regard beauty as something that belongs to the eye, but when you talk about a beautiful person, you’re talking about somebody with a good character. The Yorubas will call itìwà l'ẹ̀wà, ‘character is beauty,’ and I think the two are married in my work. There is the ocular beauty, but then when you get close, you can see that there is some content which also has some beauty.

ANGELIQUE KIDJO: El Anatsui transforms mundane media, such as the recycled bottle caps used in this tapestry, to create transcendent aesthetic experiences.

EL ANATSUI: My processes that I use now, especially in this particular work, connects with the older African art in the sense that everything is handmade. There’s nothing mechanical at all. It’s a lot of labor and time (Laughs) consuming process.

Working in this way gives me the freedom to create a work which is capable of being shaped in so many ways, from densely crumpled to almost flat, but I prefer that it’s not hung very flat so that it looks like a painting. It should have a sculpture effect by having some creases.

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Music: "We Are One," Angélique Kidjo (Disney)

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