Allegory of Sculpture

Johann Andreas Rauch Swiss

Not on view

Allegory of Sculpture, Johann Andreas Rauch (Swiss, active Wangen, ca. 1617–28), Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over traces of black chalk; framing lines in pen and black ink

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Allegory of Sculpture, Johann Andreas Rauch (Swiss, active Wangen, ca. 1617–28), Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over traces of black chalk; framing lines in pen and black ink
Allegory of Sculpture, Johann Andreas Rauch (Swiss, active Wangen, ca. 1617–28), Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over traces of black chalk; framing lines in pen and black ink
Allegory of Sculpture, Johann Andreas Rauch (Swiss, active Wangen, ca. 1617–28), Pen and black ink, brush and gray wash, heightened with white (partially oxidized), over traces of black chalk; framing lines in pen and black ink

This artwork is meant to be viewed from right to left. Scroll left to view more.