English
DonateMembershipTickets

The Mourning of Pallas

ca. 1790–93
Not on view
Pierre Didot l'ainé's project to revive the art of fine book publishing in the years following the Revolution provided welcome income for a number of David's students. Some of the greatest examples of French Neoclassical book illustration were the result of these ambitious undertakings, most notably the designs for the 1798 edition of Virgil, based on drawings supplied by Girodet and François Gérard.

This drawing for Book Eleven of The Aeneid features Aeneas and Iulus mourning Pallas, who had been killed in battle by the Rutilian king Turnus. The elderly Acoetës, who had once served Pallas' father Evander, grieves over the dead body, while Aeneas comforts his son Iulus in the foreground. Inscribed below the image, in Latin, is Aeneas' lament, "Alas! How great a protection is lost to thee, Ausonia [Italy], and what a loss to thee, Iulus!"

Responding to the restricted format of book illustration, Girodet reduced Virgil's cast of characters to four, standing for youth, maturity, old age, and death. Pallas' corpse is bathed in ethereal moonlight--an effect for which Girodet had a life-long affection.

Artwork Details

Object Information
  • Title: The Mourning of Pallas
  • Artist: Anne Louis Girodet-Trioson (French, Montargis 1767–1824 Paris)
  • Date: ca. 1790–93
  • Medium: Pen and brown ink, brush and gray and brown wash, heightened with white
  • Dimensions: 8 7/16 x 6 1/2 in. (21.5 x 16.5 cm)
  • Classification: Drawings
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1996
  • Object Number: 1996.567
  • Curatorial Department: Drawings and Prints
More Artwork
Sketch for The Revolt of Cairo, Anne Louis Girodet-Trioson  French, Oil and ink on paper, laid down on canvas
On loan to The Met
Anne Louis Girodet-Trioson
ca. 1810
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
The Parade, Si Lewen  American, Manufactured charcoal, pencil, crayon, ink, scratching, and hand applied gesso on paperboard
Si Lewen
ca. 1950
Danaë, Anne Louis Girodet-Trioson  French, Lithograph
After Anne Louis Girodet-Trioson
Hyacinthe-Louis-Victor-Jean-Baptiste Aubry-Lecomte
1824
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.