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Andromache and Astyanax

ca. 1798
Not on view
Didot initially commissioned Prud'hon to design the frontispiece to The Works of Racine (1801–5) and five illustrations to the play Andromache. This design for Act 2 depicts the heroine embracing her son Astyanax and exclaiming that she still sees her dead husband in his features ("It is you, dear husband, whom I embrace"). This illustration was never published by Didot since the commission for Andromache was ultimately given to Girodet. However, Prud'hon used this drawing as the basis for the painting Andromache and Astyanax, which is in the Metropolitan's collection (25.110.14).

Artwork Details

Object Information
  • Title: Andromache and Astyanax
  • Artist: Pierre Paul Prud'hon (French, Cluny 1758–1823 Paris)
  • Date: ca. 1798
  • Medium: Pen and gray ink with brush and brown wash over traces of black chalk
  • Dimensions: 11 3/4 x 8 5/8 in. (29.8 x 21.9 cm)
  • Classification: Drawings
  • Credit Line: Harry G. Sperling Fund, 1999
  • Object Number: 1999.348
  • Curatorial Department: Drawings and Prints
More Artwork
Andromache and Astyanax, Pierre Paul Prud'hon  French, Oil on canvas
Pierre Paul Prud'hon
completed by Charles Pompée Le Boulanger de Boisfrémont
?1813–17; 1823–24?
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso), Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)  Italian, Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)
Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia)
1435–38
Charles Maurice de Talleyrand Périgord (1754–1838), Prince de Talleyrand, Pierre Paul Prud'hon  French, Oil on canvas
Pierre Paul Prud'hon
1817
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century

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