A wealthy banker, Pierre Crozat (1661-1740) was one of the foremost collectors of drawings in the eighteenth century. He befriended Watteau, offering him commissions, housing, and access to his collection. Watteau was entranced with the sixteenth-century Venetian landscape drawings he found there and copied many of them. In this case, the original drawing by Domenico Campagnola (1500–1564) is also in the collection of the Museum (1972.118.243). Although he is faithful to Campagnola's composition, Watteau substituted his preferred medium, red chalk, for the Venetian's pen and brown ink.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Artist: After Domenico Campagnola (Italian, Venice (?) 1500–1564 Padua)
Date:ca. 1715
Medium:Red chalk; framing lines in pen and brown ink
Dimensions:8 1/8 x 12 1/2 in. (20.6 x 31.8 cm)
Classification:Drawings
Credit Line:Bequest of Walter C. Baker, 1971
Accession Number:1972.118.237
Walter C. Baker (American); André de Hevesy (French)sale, London, Sotheby's, April 25, 1951, lot 70 (bought in by Hevesy for 220 pounds).; Mathias Komor, New York
New York. The Metropolitan Museum of Art. "The Walter C. Baker Collection of Drawings," June 2–September 4, 1960.
The Drawing Center. "Creative Copies: Interpretive Drawings from Michelangelo to Picasso," April 9, 1988–July 23, 1988.
New York. The Metropolitan Museum of Art. "Eighteenth-Century French Drawings in New York Collections," February 3–April 25, 1999.
Musée des Beaux-Arts de Valenciennes. "Rêveries italiennes," September 25, 2015–January 17, 2016.
Bean and Turcic 1986.334; Rosenberg and Prat 1996.341 (vol. I)
Karl Theodore Parker "Sidelights on Watteau." Old Master Drawings. vol. 10, London, 1935, pl. 7, p. 8, ill.
Karl Theodore Parker, Jacques Mathey Antoine Watteau: Catalogue complet de son oeuvre dessiné. Paris, 1957, cat. no. 439, p. 58, ill.
Claus Virch "The Walter C. Baker Collection of Master Drawings." in The Metropolitan Museum of Art Bulletin. The Metropolitan Museum of Art, vol. 18, no. 10, New York, June 1960, p. 315.
Claus Virch Master Drawings in the Collection of Walter C. Baker. New York: The Metropolitan Museum of Art, 1962, cat. no. 72, p. 43, ill.
Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 40 (under).
Margaret Morgan Grasselli, Pierre Rosenberg Watteau, 1684-1721. Ex. cat. National Gallery of Art, Washington D.C., Washington, 1984, cat. no. D140, p. 222, ill.
Jacob Bean, Lawrence Turčić 15th-18th Century French Drawings in The Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1986, cat. no. 334, p. 298, ill.
Egbert Haverkamp-Begemann Creative Copies, Interpretative Drawings from Michelangelo to Picasso. Exh. cat. The Metropolitan Museum of Art, New York, 1988, cat. no. 41, pp. 146-148, ill.
Claude to Corot. The Development of Landscape Painting in France. Ex. cat. Edited by Alan Wintermute, Colnaghi, New York, New York, November 1-December 15, 1990, fig. no. 8, p. 103, ill.
Martin P. Eidelberg "Watteau's Italian Reveries" Gazette des Beaux-Arts. vol. 126, no. 1521, Paris, 1995, pp. 114-115, 134.
Pierre Rosenberg, Louis-Antoine Prat Antoine Watteau 1684-1721: Catalogue raisonné des dessins. Milan, 1996, cat. no. 341 (Vol. I), pp. 546-547, ill.
Perrin Stein, Mary Tavener Holmes Eighteenth-Century French Drawings in New York Collections Exh. cat. The Metropolitan Museum of Art, New York, 1999, cat. no. 5, pp. 10-12, ill.
Alan Wintermute, The Frick Collection, National Gallery of Canada Watteau and His World: French Drawings from 1700-1750. Exh. cat. 1999-2000, p. 22.
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
The Met's collection of drawings and prints—one of the most comprehensive and distinguished of its kind in the world—began with a gift of 670 works from Cornelius Vanderbilt, a Museum trustee, in 1880.
