Vincenzo Tamagni (Italian, San Gimignano 1492–ca. 1530 San Gimignano)
School of Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)
Pen and brown ink
8-7/8 x 7-1/4 in. (22.5 x 18.4 cm)
Rogers Fund, 1911
Not on view
Inscription: Annotated in graphite on reverse by Henry Reveley, Raphael's first Study for the formation of Eve/engraved in Raphael's Bible. & purchased at/Paris A. D. 1769. out of the Royal collection.- Below annotated in pen and brown ink, .Raphael 1483/1520. Below annotated in graphite, The above note is by the late Mr. Reveley/ I bought the drawing from the Reveley/family in February 1911. The drawing/was bought by Henry Reveley in/1769. (Inscription by Langton Douglas 1911)/B. Burroughs
Henry Reveley (British, Alicante, Spain, 1737–1798), British, b. Spain, 1737-1798; Lugt 1356; Hugh Reveley (British, 1772–1851), British, 1772-1851; Lugt 1356; Descendants of Reveley family (British); Robert Langton Douglas (British, London 1864–1951); Robert Langton Douglas (British, London 1864–1951)
"Recent Accessions and Notes." The Metropolitan Museum of Art Bulletin. vol. 6, no. 6, New York, June 1911.
J. Q. van Regteren Altena "Review of Bernhard Degenhart and Annegrit Schmitt, Corpus der italienischen Zeichnungen 1300-1450: Teil I: Süd-und Mittelitalien" Master Drawings. vol. 8, no. 4, 1970.
Andrée Hayum "Two drawings by Vincenzo Tamagni" in The Burlington Magazine. vol. 114, no. 827, February 1972, p. 87, ill.
Jacob Bean, Lawrence Turčić 15th and 16th Century Italian Drawings in the Metropolitan Museum of Art. The Metropolitan Museum of Art, New York, 1982, cat. no. 212, fig. no. 212, p. 215, ill.
Artist: Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome)Date: 1508–10Medium: Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)Accession: 1997.153On view in:Not on view
Artist: Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)Date: ca. 1510–11Medium: Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso)Accession: 24.197.2On view in:Gallery 899
Artist: Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise)Date: 1480–85Medium: Silverpoint, partly reworked by the artist with pen and dark brown ink on pink prepared paper; lines ruled with metalpoint (recto); pen and brown ink (verso)
Accession: 17.142.1On view in:Not on view