View of Rouen from St. Catherine’s Hill

Richard Parkes Bonington British

Not on view

The French Romantic painter Eugène Delacroix described the sparkling, jewel-toned watercolors of the British painter Bonington, with whom he shared a Paris studio, as "like diamonds." In this view of Rouen seen from the northeast, broad wet washes evoke the sunlit sky, a dark cathedral soars above the blotted colors of the city's haze, and exquisite touches of a fine brush suggest tiny figures and the masts of distant ships. A version of this view was reproduced in aquatint by Thales Fielding in N.-J. Lefebvre-Duruflé's Excursion sur les côtes et dans les ports de Normandie, published 1823–25.

View of Rouen from St. Catherine’s Hill, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), Watercolor, pen and brown ink, over graphite

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

View of Rouen from St. Catherine’s Hill, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), Watercolor, pen and brown ink, over graphite
View of Rouen from St. Catherine’s Hill, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), Watercolor, pen and brown ink, over graphite
View of Rouen from St. Catherine’s Hill, Richard Parkes Bonington (British, Arnold, Nottinghamshire 1802–1828 London), Watercolor, pen and brown ink, over graphite

This artwork is meant to be viewed from right to left. Scroll left to view more.