St. Thomas Aquinas Presenting His Work to the Crucified Christ
Santi di Tito (Italian, Sansepolcro 1536–1603 Florence)
Pen and brown ink, brown wash, over traces of black chalk
6 3/4 x 4 3/4in. (17.1 x 12cm)
Purchase, David L. Klein, Jr. Memorial Foundation, Inc. Gift, 1984
Not on view
Inscription: Annotated in pen and brown ink on reverse of old backing, "Og di S. di Tito in S. Marco / in Ferenze [sic]"; numbered in pen and brown ink on verso and visable in transparency at upper center of recto, "n. 84."
Marking: Unidentified collector's mark (Lugt Supp. 619a)
Sotheby's, London (British)July 2, 1984, no. 70, repr.
Jacob Bean "Curatorial Reports and Departmental Accessions: Drawings." in Annual Report of the Trustees of The Metropolitan Museum of Art, July 1, 1984 - June 30, 1985. The Metropolitan Museum of Art, no. 115, New York, 1985, p. 25.
Artist: Santi di Tito (Italian, Sansepolcro 1536–1603 Florence) Date: ca. 1575Medium: Black chalk (recto); rulings in red chalk and black chalk by early collector (verso)Accession: 2002.72On view in:Not on view
Artist: Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome) Date: 1508–10Medium: Pen and brown ink over black chalk, partially incised with a stylus (recto); rubbed with black chalk for transfer (verso)Accession: 1997.153On view in:Not on view
Artist: Leonardo da Vinci (Italian, Vinci 1452–1519 Amboise) Date: 1510–1513Medium: Black chalk, charcoal, and red chalk, with some traces of white chalk (?); some remains of framing outline in pen and brown ink at upper right (not by Leonardo)Accession: 51.90On view in:Not on view
Artist: Stefano da Verona (Stefano di Giovanni di Francia) (Italian, Paris or Pavia ca. 1374/75–after 1438 Verona) Date: 1435–38Medium: Pen and brown ink, over traces of charcoal or black chalk (recto); pen and brown ink, brush with touches of brown wash, over traces of charcoal or black chalk (verso)Accession: 1996.364a, bOn view in:Not on view