A Practical and Familiar View of the Science of Physiognomy, Compiled Chiefly from the Papers of the Late Mr. T. Cooke, of Manchester, with a Memoir, and Observations on the Temperaments, by the Editor.

Various artists/makers

1819

Not on view

Artwork Details

Overview

Signatures, Inscriptions, and Markings

Provenance

Title: A Practical and Familiar View of the Science of Physiognomy, Compiled Chiefly from the Papers of the Late Mr. T. Cooke, of Manchester, with a Memoir, and Observations on the Temperaments, by the Editor.
Author: Thomas Cooke (British, Sheffield 1763–1818 Manchester)
Sitter: Frontispiece silhouette of Thomas Cooke (British, Sheffield 1763–1818 Manchester)
Illustrator: Johann Caspar Lavater (Swiss, Zurich 1741–1801 Zurich)
Illustrator: Pieter Camper (Dutch, 1722–1789 The Hague)
Publisher: Lithographic Institution (London)
Printer: S. Curtis (London, Camberwell Press)
Published in: London
Date: 1819
Medium: Illustrations: lithographs
Dimensions: 9 1/8 x 5 11/16 x 1 in. (23.2 x 14.5 x 2.5 cm)
Classification: Books
Credit Line: Mary Martin Fund, 1985
Object Number: 1985.1057
Curatorial Department: Drawings and Prints

More Artwork

A slider containing 5 items.
Press the down key to skip to the last item.

The Young Artists' Companion; or, Drawing-Book of Studies and Landscape Embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons, David Cox British, Illustrations: soft ground etching, aquatint, some hand-coloring — The Young Artists' Companion; or, Drawing-Book of Studies and Landscape Embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons
Multiple artists/makers
1825

Basle, part I, plate 5 from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; first state of six (Finberg) — Basle, part I, plate 5 from "Liber Studiorum"
Multiple artists/makers
June 11, 1807

Lake of Thun, Swiss, part III, plate 15 from "Liber Studiorum", Joseph Mallord William Turner British, Etching, drypoint and mezzotint; first state of three — Lake of Thun, Swiss, part III, plate 15 from "Liber Studiorum"
Joseph Mallord William Turner
Charles Turner
June 10, 1808

The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye), Thomas Girtin British, Soft-ground etching and aquatint — The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)
Multiple artists/makers
1803

Weymouth Bay, David Lucas British, Mezzotint on chine collé; proof before published state — Weymouth Bay
David Lucas
John Constable
1830

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.