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Ipswich Town, or Harbor Scene

ca. 1893–95
Not on view
Part of a series titled "Along Ipswich River," this upright composition echoes Japanese pillar prints and reflects the artist's study of Hokusai and Hiroshige. Dow was one of the first Americans to master Japanese woodblock printing techniques, wedding an admiration for Oriental aesthetics with an English Arts and Crafts sensibility. He called his woodcuts "color themes," and they demonstrate his devotion to Eastern concepts of line, color, and notan–the balance of light and dark. He executed the entire printmaking process by hand, carving and inking the blocks and then printing them sequentially on damp mulberry paper. In this case he did not use a linear key block to pull elements together but evokes landscape forms by juxtaposing color shapes.

Artwork Details

Object Information
  • Title: Ipswich Town, or Harbor Scene
  • Artist: Arthur Wesley Dow (American, Ipswich, Massachusetts 1857–1922 New York State)
  • Date: ca. 1893–95
  • Medium: Color woodcut on paper stained green
  • Dimensions: image: 5 x 2 1/4 in. (12.7 x 5.7 cm)
  • Classification: Prints
  • Credit Line: Gift of Mrs. W. L. Putnam, 1942
  • Object Number: 42.54.1
  • Curatorial Department: Drawings and Prints
More Artwork
Modern Art, Arthur Wesley Dow  American, Lithograph
Arthur Wesley Dow
Printer Louis Prang & Co.
Editor Related editor Joseph Moore Bowles
1895
Powder Horn, Horn (cow), lead, American
American
18th century
Olympia, Edouard Manet  French, color woodcut, printed in black and ochre ink on thin parchment paper
After Edouard Manet
1923
The Long Road – Argilla Road, Ipswich, Arthur Wesley Dow  American, Color woodcut
Arthur Wesley Dow
ca. 1898–1912
Man and Two Women (Henderson Ledger Artist B), Frank Henderson  Native American, Pencil, colored pencil, and ink on paper, Arapaho
Frank Henderson
ca. 1882

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