Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24)
Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction, and Say here added mezzotint to define rough seas pounding a dark, rocky stretch of Yorkshire coast where stranded passengers from a wrecked ship appeal for help to figures on shore, and men wade into a sheltered foreground cove. A lighthouse punctuates the skyline and the letter "M" in the top margin indicates Turner's category of Marine landscape.
Artwork Details
- Title: Coast of Yorkshire, Near Whitby (Liber Studiorum, part V, plate 24)
- Artist: Designed and etched by Joseph Mallord William Turner (British, London 1775–1851 London)
- Engraver: William Say (British, Lakenham, near Norwich 1768–1834 London)
- Publisher: Joseph Mallord William Turner (British, London 1775–1851 London)
- Date: January 1, 1811
- Medium: Etching and mezzotint; third state of four
- Dimensions: plate: 7 1/8 x 10 1/2 in. (18.1 x 26.7 cm)
sheet: 8 5/16 x 11 5/8 in. (21.1 x 29.5 cm) - Classification: Prints
- Credit Line: Gift of Edwin De T. Bechtel, 1951
- Object Number: 51.648.29
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.