English
DonateMembershipTickets

Buddha Offering Protection

late 6th–early 7th century
On view at The Met Fifth Avenue in Gallery 236
This Buddha image embodies the qualities of inner radiant calm and stillness, the products of supreme wisdom. He dispenses reassurance and protection to his followers with a raised hand held in abhaya-mudra, the ‘fear not’ gesture. The Buddha is robed in the simple uncut cloth of a monk, gracefully drawn around the body so as to define form, to create an image that is at once ethereal and sensuous. A state of Buddhahood is defined iconographically by the presence of a series of auspicious markings (lakshanas): here we see the attenuated earlobes, protruding skull and webbing between the fingers. Taken together these features, both natural and supernatural, denote preordained sanctity and a state of Buddhahood. Few metal Buddha images survived the collapsed of monastic Buddhism in the late 12th century, and most that are preserved did so in Tibet, where they had been spirited away for safety in the medieval period.




Click here to read a discussion of recent conservation research on this object, Enlightened Technology: Radiographing an Image of the Buddha.

Artwork Details

Object Information
  • Title: Buddha Offering Protection
  • Period: Gupta period
  • Date: late 6th–early 7th century
  • Culture: India (probably Bihar)
  • Medium: Copper alloy
  • Dimensions: H. 18 1/2 in. (47 cm); W. 6 1/8 in. (15.6 cm); D. 5 5/8 in. (14.3 cm)
  • Classification: Sculpture
  • Credit Line: Purchase, Florance Waterbury Bequest, 1969
  • Object Number: 69.222
  • Curatorial Department: Asian Art
More Artwork
Mold for Making Jewelry (Chhapa), Probably brass
10th–11th century
Eyema byeri (reliquary guardian figure), Okak-Fang artist, Wood, copper alloy, palm oil, Okak-Fang peoples
Okak-Fang artist
19th century
Standing Buddha Offering Protection, Red sandstone, India (Uttar Pradesh, Mathura)
India (Uttar Pradesh, Mathura)
late 5th century
Chatelaine, Cut steel
7th–19th century
Nkishi (community power figure), Songye artist and nganga (ritual specialist), Wood, copper, brass, iron, fiber, snakeskin, leather, fur, feathers, mud, resin, Songye peoples
Songye artist and nganga (ritual specialist)
19th–first half of 20th century

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.