This image cannot be enlarged, viewed at full screen, or downloaded.
Crop your artwork:
Scan your QR code:
Gratefully built with ACNLPatternTool
Gratefully built with ACNLPatternTool
This image cannot be enlarged, viewed at full screen, or downloaded.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title: Concerto Coalitionale
Artist:
James Sayers (British, 1748–1823)
Publisher:
Thomas Cornell (British, active 1780–92)
Subject:
The Right Honorable Edmund Burke (British, born Ireland, Dublin 1729–1797 Beaconsfield)
Subject:
William Cavendish-Bentinck, 3rd Duke of Portland (British, 1738–1809 Buckinghamshire)
Subject:
William Eden, 1st Baron Auckland (British, 1744–1814 Beckenham, Kent)
Subject:
Charles James Fox (British, 1749–1806)
Subject:
Charles Howard, 11th Duke of Norfolk (British, 1746–1815)
Subject:
Frederick Howard, 5th Earl of Carlisle (British, 1748 - 1825)
Subject:
John Montagu, 4th Earl of Sandwich (British, 1718–1792)
Subject:
Frederick North, 2nd Earl of Guilford (British, 1732–1792)
Subject:
Thomas Powys, 1st Baron Lilford (British, 1743–1800)
Subject:
Edward Smith-Stanley, 12th Earl of Derby (British, 1752–1834)
Published in: London
Date: June 17, 1785
Medium: Etching
Dimensions:
plate: 11 13/16 x 16 in. (30 x 40.7 cm)
sheet: 13 1/4 x 18 3/8 in. (33.7 x 46.7 cm)
Classification: Prints
Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1967
Accession Number: 67.503.71
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
