Study for Tree Trunks and Lane

John Crome British

Not on view

Crome made this drawing to create a soft-ground etching, using it to transfer the image to a printing plate. A leader of the Norwich School (artists based near that Norfolk town who developed a distinctive local landscape style), the artist was one of the first in 19th-century Britain to use etching as an expressive medium, anticipating the Etching Revival.

Study for Tree Trunks and Lane, John Crome (British, Norwich 1768–1821 Norwich), Graphite, soft ground etching on the verso

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Study for Tree Trunks and Lane, John Crome (British, Norwich 1768–1821 Norwich), Graphite, soft ground etching on the verso
Study for Tree Trunks and Lane, John Crome (British, Norwich 1768–1821 Norwich), Graphite, soft ground etching on the verso

This artwork is meant to be viewed from right to left. Scroll left to view more.