Art/ Collection/ Art Object

Vase from a Set of Five-Piece Altar Set (Wugong)

Qing dynasty (1644–1911)
18th century
Cloisonné enamel on copper
H. 13 in. (33 cm); Diam. of rim 6 1/8 in. (15.6 cm); Diam. of foot 4 5/8 in. (11.7 cm)
Credit Line:
Gift of Edward G. Kennedy, 1929
Accession Number:
Not on view
Cloisonné is the technique of creating designs on metal vessels with colored glass paste placed within enclosures made of copper or bronze wires, which have been bent or hammered into the desired patterns. Known as cloisons (French for "partitions"), the enclosures are generally either glued or soldered onto the metal body. The glass paste, or enamel—which gets its color from metallic oxides—is painted into the contained areas of the design. The vessel is usually fired at a relatively low temperature, about 800 degrees Celsius. Enamels tend to shrink during firing, and the process is repeated several times to fill in the design. Once this process is completed, the surface of the vessel is rubbed until the edges of the cloisons are visible.
Edward Guthrie Kennedy , New York, 1929; donated to MMA
New York. The Metropolitan Museum of Art. "Secular and Sacred: Scholars, Deities, and Immortals in Chinese Art," September 10, 2005–January 8, 2006.

New York. The Metropolitan Museum of Art. "The Four Seasons," January 28, 2006–August 13, 2006.

New York. The Metropolitan Museum of Art. "Extravagant Display: Chinese Art in the Eighteenth and Nineteenth Centuries," December 14, 2010–May 1, 2011.

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