Portraits from Sketches Made at Rare Print Sales

Various artists/makers

January 18, 1814

Not on view

Artwork Details

Overview

Signatures, Inscriptions, and Markings

Provenance

Title: Portraits from Sketches Made at Rare Print Sales
Artist and publisher: Drawn, etched and published by Alexander Beugo (British, active 1801–25)
Sitter: William Richardson (British, active 1778–1812)
Sitter: Henry Constantine Jennings (British, 1731–1819)
Sitter: John Thane (British, London 1748–1818)
Sitter: Thomas Dodd (British, 1771–1850)
Sitter: (?) Anthony Torre (British, active late 18th century)
Sitter: (?) Alexander Beugo (British, active 1801–25)
Sitter: Samuel Woodburn (British, 1786–1853)
Sitter: Robert Graves (British, 1768–1825)
Sitter: James Caulfield (British, Clerkenwell 1764–1826 London)
Sitter: Robert Vernon (British, 1774–1849)
Sitter: Anthony Molteno (British, died 1845)
Date: January 18, 1814
Medium: Etching
Dimensions: Plate: 8 15/16 x 6 15/16 in. (22.7 x 17.7 cm)
Sheet: 11 3/16 x 8 3/4 in. (28.4 x 22.3 cm)
Classification: Prints
Credit Line: Harris Brisbane Dick Fund, 1917
Object Number: 17.3.888-215
Curatorial Department: Drawings and Prints

More Artwork

In the same medium

From the same time and place

A slider containing 5 items.
Press the down key to skip to the last item.

Weymouth Bay, David Lucas British, Mezzotint on chine collé; proof before published state — Weymouth Bay
David Lucas
John Constable
1830

Basle, part I, plate 5 from "Liber Studiorum", Joseph Mallord William Turner British, Etching and mezzotint; first state of six (Finberg) — Basle, part I, plate 5 from "Liber Studiorum"
Multiple artists/makers
June 11, 1807

Lake of Thun, Swiss, part III, plate 15 from "Liber Studiorum", Joseph Mallord William Turner British, Etching, drypoint and mezzotint; first state of three — Lake of Thun, Swiss, part III, plate 15 from "Liber Studiorum"
Joseph Mallord William Turner
Charles Turner
June 10, 1808

The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye), Thomas Girtin British, Soft-ground etching and aquatint — The Waterworks at Marli, and St. German en Laye seen in the distance (La Machine de Marli, avec une vue eloignée de St. German en Laye)
Multiple artists/makers
1803

The Young Artists' Companion; or, Drawing-Book of Studies and Landscape Embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons, David Cox British, Illustrations: soft ground etching, aquatint, some hand-coloring — The Young Artists' Companion; or, Drawing-Book of Studies and Landscape Embellishments : comprising a great variety of the most picturesque objects required in the various compositions of landscape scenery, arranged as progressive lessons
Multiple artists/makers
1825

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.