The Nine Continents, Clear and Peaceful, Workshop of Jian Guzhai (Chinese,), Pine soot and binding medium; inscribed in gilt, China

The Nine Continents, Clear and Peaceful

Artist:
Workshop of Jian Guzhai (Chinese,)
Period:
late Qing dynasty (1644–1911, early Republic period
Date:
late 19th–early 20th century
Culture:
China
Medium:
Pine soot and binding medium; inscribed in gilt
Dimensions:
H. 2 3/16 in. (5.6 cm); W. 2 9/16 in. (6.5 cm)
Classification:
Ink
Credit Line:
Rogers Fund, 1930
Accession Number:
30.76.219
Not on view
This ink tablet is from a sixty-four-tablet set (30.76.216–.279) commissioned by the Jiaqing emperor from the Studio for Appreciating the Antique (Jiangu Zhai) manufactory of the Wang Jinsheng family in Huizhou, Anhui Province. Each ink tablet commemorates a hall or pavilion in one of the imperial gardens. Each site’s name is written in gilt characters on one side; a view of the site is presented on the other. Such inks were purely decorative and not intended for use.
Inscription: Reverse title in gilt characters: "Jiu Zhou Qing Yan"
New York. The Metropolitan Museum of Art. "The Douglas Dillon Legacy: Chinese Painting for the Metropolitan Museum," March 12, 2004–August 8, 2004.

New York. The Metropolitan Museum of Art. "Chinese Painting, Masterpieces from the Permanent Collection," August 28, 2004–February 20, 2005.

New York. The Metropolitan Museum of Art. "Secular and Sacred: Scholars, Deities, and Immortals in Chinese Art," September 10, 2005–January 8, 2006.

New York. The Metropolitan Museum of Art. "Brush and Ink: The Chinese Art of Writing," September 2, 2006–January 21, 2007.

New York. The Metropolitan Museum of Art. "Journeys: Mapping the Earth and Mind in Chinese Art," February 10, 2007–August 26, 2007.