Tynemouth Castle, Northumberland
In November 1726 Samuel Buck announced a plan to systematically record ruins throughout England. Distressed that castles, religious foundations, and other antique remains were crumbling away, he proposed to "rescue the mangled remains of these aged & venerable edifices from the inexorable jaws of time." Working with his brother Nathaniel, the artist would eventually produce over four hundred prints recording ruins. The present precisely drawn sheet relates to a print published in "Buck's Antiquities; Or Venerable Remains of Above Four Hundred Castles, Monasteries, Palaces, &c. &c. in England and Wales: With Near One Hundred Views of Cities and Chief Towns" (1726–42). Drawn on the spot, the image offers evidence for the emergence of an antiquarian sensibility in Britain, part of an historical impulse to accurately research and record the past rather than a romantic response to decay.
Artwork Details
- Title: Tynemouth Castle, Northumberland
- Artist: Samuel Buck (British, Yorkshire 1696–1779 London)
- Date: 1728
- Medium: Pen and black ink, brush and gray wash
- Dimensions: Sheet: 6 1/8 x 13 5/8 in. (15.5 x 34.6 cm)
- Classification: Drawings
- Credit Line: Purchase, Brooke Russell Astor Bequest, 2013
- Object Number: 2013.76
- Curatorial Department: Drawings and Prints
More Artwork
Research Resources
The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
To request images under copyright and other restrictions, please use this Image Request form.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.