Laure de Sade, Comtesse Adhéaume de Chevigné

Inscription: Signed (lower right): DE [monogram] MADRAZO

by descent in the de Montebello family (until 1983)

New York. The Metropolitan Museum of Art. "La Belle Epoque," December 6, 1982–September 4, 1983, unnum. checklist (as "Comtesse Adhéaume de Chevigné," attributed to Raimundo de Madrazo y Garreta, and lent by Mr. and Mrs. Philippe de Montebello).

Visual Arts Gallery, The University of Alabama at Birmingham. "Fin-de-siècle Faces: Portraiture in the Age of Proust," September 25–November 20, 1988, no. 22.

Paul Ettesvold in La Belle Epoque. Exh. brochure, The Metropolitan Museum of Art. New York, 1982, p. 14, dates it about 1905 and erroneously lists it as by Raimundo de Madrazo y Garreta.

Heather McPherson. Fin-de-siècle Faces: Portraiture in the Age of Proust. Exh. cat., Visual Arts Gallery, The University of Alabama at Birmingham. Birmingham, Ala., 1988, pp. 30–31, 35, 47, no. 22, fig. 29, notes that Proust's character, the duchesse de Guermantes in "À la recherche du temps perdu," is closely modeled on Laure de Sade.

José Luis Diez García. Letter to Gary Tinterow. March 9, 1994, attributes it to Federico de Madrazo y Küntz's grandson, Federico de Madrazo y de Ochoa.

Katharine Baetjer. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. New York, 1995, p. 169, ill.

Giovanni Agosti. "Per 'La collezione di Antonio Scarpa' di Sergio Momesso." Prospettiva no. 128 (October 2007), p. 92, fig. 3.