Joseph Wright of Derby was the first major British painter to work almost entirely outside London. Most of his patrons were merchants or industrialists from the Midlands or members of the local gentry. This portrait of an unknown lady was probably painted about 1770, the high point of Wright's early career as a portraitist, and is a fine example of the direct, descriptive style he employed—far removed from the artificial conventions favored in London society.
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title:Portrait of a Woman
Artist:Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby)
Date:ca. 1770
Medium:Oil on canvas
Dimensions:49 7/8 x 40 in. (126.7 x 101.6 cm)
Classification:Paintings
Credit Line:Gift of Heathcote Art Foundation, 1986
Accession Number:1986.264.6
The portrait came to light during a 1984 appraisal of property in the estate of Josephine Heathcote Haskell. David Fraser of the City of Derby Museums and Art Gallery confirmed the attribution to Wright of Derby (correspondence in departmental files). Although no documentation concerning the works of art in her collection was found, Haskell, of English descent, was said to have bought English pictures and furnishings for her New York town house beginning in the 1930s. On grounds of style and costume, the canvas must date to about 1770, but the sitter’s identity is unknown, and unlikely to be discovered. In view of the date, she could have been from Liverpool, Derby, or the environs.
When painting women, Wright, influenced by the prominent portrait painter Thomas Hudson (1701–1779), under whom he had studied, showed a preference for satin fabric, pearl jewelry, gauze, and lace. The two artists also shared a fondness for the color rose, in Wright’s case, the exact shade illustrated here. Wright shows some of his sitters in their own, precisely described clothes, while others, such as this young woman, wear what were often referred to as draperies. For example, Mrs. Catherine Swindell, in an undated oval half-length (New Walk Museum and Art Gallery, Leicester) assigned to the same period as the present work, wears rose-colored draperies, with a low neckline and wide sleeves, as seen here. Both sitters have brown hair dressed high and twined with a gauze veil, a ribbon, and pearls.
The sitter in the Museum's portrait is making fillet lace, a length of which is attached to the small weighted bundle and to one of the two netting shuttles that she holds. Her scissors and workbag lie on the table. Such objects have been described by Stephen Daniels (Joseph Wright, Princeton, 1999, p. 13) as “emblems of activity,” typical of a culture in which industrious behavior in the home was admired.
[2010; adapted from Baetjer 2009]
Josephine Mercy Heathcote Haskell, New York (until d. 1982); Heathcote Art Foundation (1982–86)
London. Tate Gallery. "Wright of Derby," February 7–April 22, 1990, no. 34.
Paris. Galeries nationales du Grand Palais. "Joseph Wright of Derby, 1734–1797," May 17–July 23, 1990, no. 34.
New York. The Metropolitan Museum of Art. "Wright of Derby," September 6–December 2, 1990, no. 34.
David Fraser. Letter to David Moore-Gwyn. May 11, 1984, accepts the attribution to Joseph Wright of Derby and implies that the portrait may have been painted about 1770.
Lucy Oakley inRecent Acquisitions: A Selection, 1986–1987. New York, 1987, p. 37, ill.
Judy Egerton. Wright of Derby. Exh. cat., Tate Gallery. London, 1990, p. 79, no. 34, ill. (color).
Katharine Baetjer. European Paintings in The Metropolitan Museum of Art by Artists Born Before 1865: A Summary Catalogue. New York, 1995, p. 191, ill., as "Portrait of a Woman".
Elizabeth E. Barker and Alex Kidson Walker Art Gallery. Joseph Wright of Derby in Liverpool. Liverpool, 2007, p. 55, fig. 60 (color).
Katharine Baetjer. British Paintings in The Metropolitan Museum of Art, 1575–1875. New York, 2009, pp. 136–38, no. 61, ill. (color).
Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby)
1774–75
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
