Equestrian Plaque

Found at Saint-Germain, near Gourdon (Lot), before 1890.; Louis Greil, Cahors (before 1890; d. 1901); comte Chandon de Briailles, Épernay; J. Pierpont Morgan (American), London and New York (until 1917)

The Metropolitan Museum of Art. "The Year 1200: A Centennial Exhibition at the Metropolitan Museum of Art," February 12–May 10, 1970.

Paris. Musée du Louvre. "L'Oeuvre de Limoges," October 23, 1995–January 22, 1996.

New York. The Metropolitan Museum of Art. "Enamels of Limoges, 1100-1350," January 22–June 16, 1996.

New York. Bard Graduate Center: Decorative Arts, Design History, Material Culture. "Lions, Dragons, and Other Beasts: Aquamanilia of the Middle Ages. Vessels for Church and Table," July 12, 2006–October 15, 2006.

Rupin, Ernest. L'Oeuvre de Limoges. Paris: Alphonse Picard et Fils, 1890. p. 429, fig. 480.

Hoffmann, Konrad, ed. The Year 1200: A Centennial Exhibition at The Metropolitan Museum of Art. Vol. 1. New York: The Metropolitan Museum of Art, 1970. no. 82, pp. 76–77.

Taburet-Delahaye, Elisabeth, and Barbara Drake Boehm, ed. L'Oeuvre de Limoges: Emaux limousins du Moyen Age. Paris: Réunion des Musées Nationaux, 1995. no. 94, pp. 292–293.

Boehm, Barbara Drake, and Elisabeth Taburet-Delahaye, ed. Enamels of Limoges, 1100-1350. New York: The Metropolitan Museum of Art, 1996. no. 93, pp. 292–93.

Boehm, Barbara Drake. "Opus Lemovicense: La Diffusion des Émaux Limousins." In Émaux de Limoges, XIIe-XIXe Siècle, edited by Jacques Toussaint. Namur: Société Archéologique de Namur, 1996. p. 32, fig. 3.

Barnet, Peter, and Pete Dandridge, ed. Lions, Dragons, & Other Beasts: Aquamanilia of the Middle Ages, Vessels for Church and Table. New York: Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture, 2006. no. 46, p. 185.

Boehm, Barbara Drake. "Le goût des Américains pour l'Œuvre de Limoges aux XIXe et XXe siècles." In L’Œuvre de Limoges et sa diffusion: Trésors, objets, collections, edited by Danielle Gaborit-Chopin, and Frédéric Tixier. Paris: Institut national d'histoire de l'art, 2011. p. 125.