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Man of Sorrows

Christ as the Man of Sorrows stands within a lush network of leafy branches known as Astwerk, a translation of architectural canopies and tracery into a vegetal vocabulary. Among the most innovative artists of the late fifteenth century, Peter Hemmel and the group of stainedglass painters he worked with known as the Strasbourg Workshop Cooperative executed glazing programs throughout southern Germany and into Austria. Except for Christ’s head and part of his drapery, which are nineteenth-century replacements, the panel is in superb condition.

See also acc. no. 1998.215.2

Artwork Details

Object Information
  • Title: Man of Sorrows
  • Artist: Lautenbach Master (German, active late 15th century)
  • Artist: Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft) (active Southern and Central Germany, ca. 1470–1500)
  • Date: ca. 1480
  • Geography: Made in Strasbourg, Upper Rhineland, Germany (present-day France)
  • Culture: German
  • Medium: Pot-metal glass and vitreous paint
  • Dimensions: 19 1/2 x 16 3/8 in. (49.5 x 41.6 cm)
  • Classification: Glass-Stained
  • Credit Line: The Cloisters Collection, 1998
  • Object Number: 1998.215.1
  • Curatorial Department: Medieval Art and The Cloisters
More Artwork
The Mater Dolorosa, Lautenbach Master  German, Pot-metal glass and colorless glass, silver stain, and vitreous paint, South German
Lautenbach Master
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
ca. 1480
Reliquary Bust of Saint Barbara, Niclaus Gerhaert von Leyden  North Netherlandish, Walnut with paint and gilding, German
Workshop of Niclaus Gerhaert von Leyden
ca. 1465
Adoration of the Magi from Seven Scenes from the Life of Christ, Pot-metal and colorless glass, vitreous paint and silver stain, Austrian
Austrian
ca. 1390
Annunciation Triptych (Merode Altarpiece), Robert Campin  Netherlandish, Oil on oak, Netherlandish
Workshop of Robert Campin
ca. 1427–32
Adoration of the Magi, Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft), Pot metal and colorless glass, vitreous paint, and silver stain, German
Circle of Peter Hemmel von Andlau (Strassburger Werkstattgemeinschaft)
1507

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