Study for "Flanders"

Inscription: Signed and dated (lower left, in graphite): Kline '61; inscribed (verso, center, in black ink): ZD 357 / SKETCH FOR "FLANDERS"; (verso, upper right, in black ink): WH332 F

Renée and David McKee, New York (until 1984; their gift to MMA)

Cincinnati Art Museum. "The Vital Gesture: Franz Kline in Retrospect," November 27, 1985–March 2, 1986, no. 106.

San Francisco Museum of Modern Art. "The Vital Gesture: Franz Kline in Retrospect," April 17–June 9, 1986, no. 106.

Philadelphia. Pennsylvania Academy of the Fine Arts. "The Vital Gesture: Franz Kline in Retrospect," June 27–September 28, 1986, no. 90.

Atlanta. High Museum of Art. "Abstract Expressionism, Works on Paper: Selections from The Metropolitan Museum of Art," January 26–April 4, 1993, no. 22.

New York. The Metropolitan Museum of Art. "Abstract Expressionism, Works on Paper: Selections from The Metropolitan Museum of Art," May 4–September 12, 1993, extended to November 7, 1993, no. 22.

Barcelona. Fundació Antoni Tàpies. "Franz Kline: Art and the Structure of Identity," March 18–June 5, 1994, no. 61.

London. Whitechapel Gallery. "Franz Kline: Art and the Structure of Identity," July 8–September 11, 1994, no. 61.

Madrid. Museo Nacional Centro de Arte Reina Sofía. "Franz Kline: Art and the Structure of Identity," September 27–November 21, 1994, no. 61.

Saarland Museum, Saarbrücken, Germany. "Franz Kline: Art and the Structure of Identity," December 11–February 5, 1995, no. 61.

National Museum of Modern Art, Tokyo. "Abstract Expressionism: Works on Paper, Selections from The Metropolitan Museum of Art," March 11–June 4, 1995, no. 22.

Madrid. Fundación Juan March. "Expresionismo Abstracto: Obra Sobre Papel, Colección The Metropolitan Museum of Art, Nueva York," May 9–July 2, 2000, no. 22.

Turin. Castello di Rivoli Museo d'Arte Contemporanea. "Franz Kline, 1910–1962," October 20, 2004–January 31, 2005.

New York. The Metropolitan Museum of Art. "Abstract Expressionist Drawings," November 1, 2007–February 24, 2008, no catalogue.

New York. The Metropolitan Museum of Art. "Street," March 5–May 27, 2013, no catalogue.

Holland Cotter. "Abstract Expressionism: The Lighter, Quieter Side." New York Times (June 4, 1993), p. C24, calls it "Flanders".

Corina E. Rogge with Zahira Véliz Bomford. "Works of Art Examined." Franz Kline: The Artist's Materials. Los Angeles, 2022, p. 129.