Inscription: Inscribed in bronze under felt on proper right hand: Lillith I

the artist, New York (from 1994; sold to PaceWildenstein); [PaceWildenstein, New York, by 1995–96; sold to MMA]

New York. PaceWildenstein. "Kiki Smith: New Work," September 16–October 21, 1995, no. 10.

Museum of Art Lucerne. "Signs of Life: Ancient Knowledge in Contemporary Art," August 14–Novmeber 21, 2010, unnumbered cat. (p. 33).

London. British Museum. "Feminine power: the divine to the demonic," May 19–September 25, 2022, unnumbered cat. (fig. 84).

Roberta Smith in "Art in Review: Kiki Smith." New York Times (October 13, 1995), p. C23.

Edith Newhall. "Galleries." New York Magazine (September 11, 1995), p. 60, ill. (color).

Peter Schjeldahl. "Incorrigible." Village Voice (October 10, 1995), p. 85.

Robert Taplin. "Kiki Smith at Pace Wildenstein." Art in America 83 (December 1995), p. 92.

Nan Rosenthal in "Recent Acquisitions. A Selection: 1995–1996." Metropolitan Museum of Art Bulletin 54 (Fall 1996), p. 66, ill. (color).

Michael Kimmelman. "At the Met with Kiki Smith: Making Metaphors of Art and Bodies." New York Times (November 15, 1996), p. C22, ill.

Martha Schwendener. "Kiki Smith, PaceWildenstein." Art Papers 20 (January/February 1996), p. 57.

John Alan Farmer. "Devotion." Art Journal 57 (Spring 1998), pp. 64–66, ill. (color).

Michael Kimmelman. Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere. New York, 1998, pp. x, 75–77, ill. p. 75 and back cover (color).

John Alan Farmer. "Devotion." Art Journal 57 (Spring 1998), p 64, ill. p. 66 (color).

Steven Sherrill. "Kiki & Me. Kiki Smith: Glad to be a Terror." Modern Painters (April 2005), p. 79, ill. (color).

Peter Fischer in Signs of Life: Ancient Knowledge in Contemporary Art. Ed. Peter Fischer and Brigitt Bürgi. Exh. cat., Museum of Art Lucerne. Lucerne, 2010, pp. 32–34, 36–38, ill. (color, overall and detail).

Heather Cammarata-Seale. "Petah Coyne." Woman's Art Journal 36 (Spring/Summer 2015), p. 13.

Joyce Beckenstein. "Personal Curiosity: A Conversation with Kiki Smith." Sculpture 35 (March 2016), p. 25, ill. p. 23 (color).

Mary Beard in Belinda Crerar. Feminine power: the divine to the demonic. Exh. cat., British Museum. London, 2022, p. 12.

Belinda Crerar. Feminine power: the divine to the demonic. Exh. cat., British Museum. London, 2022, p. 131, fig. 84 (color) and ill. front cover (color detail).