Studies of a Standing Man

Inscription: Signed, dated, and inscribed (lower right): A. de Késmarky / Paris [1]913

the artist, Paris and New York (probably sold by 1913 to Birnbaum); Martin Birnbaum, New York (by 1957–59; his gift to MMA)

New York. Berlin Photographic Company. "Exhibition of Contemporary Graphic Art in Hungary, Bohemia, and Austria," December 1913, no. 42 (as "Two Nudes") [possibly this picture].

Buffalo Fine Arts Academy, Albright Art Gallery. "Exhibition of Contemporary Graphic Art in Hungary, Bohemia, and Austria," January 4–February 1, 1914, no. 42.

City Art Museum, St. Louis. "Exhibition of Contemporary Graphic Art in Hungary, Bohemia, and Austria," opened February 8, 1914, no. 42.

Art Institute of Chicago. "Exhibition of Contemporary Graphic Art in Hungary, Bohemia, and Austria," March 5–April 1, 1914, no. 42.

Pittsburgh. Carnegie Institute. "Exhibition of Contemporary Graphic Art in Hungary, Bohemia, and Austria," May 1–31, 1914, no. 42.

Gergely Barki. "The Steins and the Hungarians." RIHA Journal. Vol. 90, May 22, 2014, n. 92.

Gergely Barki. "Lost Hungarian Cubism." Artmagazin. June 2015, fig. 40.

Gergely Barki. Wanted / Lost and Found. À la recherche du cubisme hongrois perdu. Exh. cat., Institut culturel hongrois. Paris, 2021, p. 28.

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