Untitled

Philip Guston American, born Canada

Not on view

In 1951, Guston forced himself to paint an entire picture without once stepping back to view the work as a whole. He saw this as a breakthrough to a new, calligraphic style. This drawing closely follows the composition of that painting, White Painting I (1951; San Francisco Museum of Modern Art), and thus was probably made soon afterwards.

Untitled, Philip Guston (American (born Canada), Montreal 1913–1980 Woodstock, New York), Ink on paper

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.