Evening (Self-Portrait with the Battenbergs), from the portfolio Faces

Inscription: Signed (lower right): Beckmann

R. Piper & Co., Munich (from 1919); (sale, Hauswedell & Nolte, Hamburg, June 12, 1999, no. 1587, sold to MMA)

New York. The Metropolitan Museum of Art. "Max Beckmann Prints," July 14, 2000–January 7, 2001, no catalogue.

Curt Glaser et al. Max Beckmann. Munich, 1924, p. 81, no. 84, call it "Der Abend (drei Figuren)".

Klaus Gallwitz, ed. Max Beckmann: Die Druckgraphik. Radierungen, Lithographien, Holzschnitte. Exh. cat., Badischer Kunstverein Karlsruhe. Karlsruhe, 1962, unpaginated, no. 67, ill. (collection Günther Franke).

Harold Joachim in Peter Selz. Max Beckmann. Exh. cat., Museum of Fine Arts, Boston. New York, [1964], pp. 118, 153, no. 133, ill. p. 116 (not this edition; collection Museum of Modern Art, New York), calls it "Evening" in the text and caption, "Evening (Self-Portrait with the Battenbergs)" in the checklist.

Walter Barker. "The Prints of Max Beckmann." Print Collector's Newsletter 15 (January–February 1985), pp. 207–8.

James Hofmaier. Max Beckmann: Catalogue Raisonné of His Prints. Vol. 1, Numbers 1–179. Bern, 1990, pp. 201–3, 236–39, no. 90, ill., notes that the artist lived with the married couple Ugi and Fridel Battenberg from 1915 to mid-1919; tentatively identifies the partially visible fourth figure as Fridel's brother, Walter Carl.

Wendy Weitman in Max Beckmann Prints from the Museum of Modern Art. Exh. cat., Modern Art Museum of Fort Worth. Fort Worth, 1992, pp. 9, 12, 20 n. 36, pp. 93, 98, pl. 28 (not this edition).

Christian Lenz in Thomas Döring and Christian Lenz. Max Beckmann: Selbstbildnisse, Zeichnung und Druckgraphik. Exh. cat., Bayerische Staatsgemäldesammlungen. Bonn, 2000, pp. 136, 138, 315, no. 29, ill. p. 139 (not this edition; collection Herzog Anton Ulrich-Museum Braunschweig).

Thomas Döring in 1914... Schrecklich kriegerische Zeiten. Ed. Wulf Otte, Heike Pöppelmann, and Ole Zimmermann. Exh. cat., Herzog Anton Ulrich-Museum. Braunschweig, 2014, p. 144, ill. p. 142 (color; not this edition; collection Herzog Anton Ulrich-Museum Braunschweig).