Art/ Collection/ Art Object

Cor d'orchestre

Pierre Piatet (French, ca. 1796–1868)
Lyon, France
Aerophone-Lip Vibrated
Credit Line:
Purchase, The Howard Bayne Fund Gift, 1977
Accession Number:
Not on view
This type of natural horn was used in Classical and early Romantic orchestras. It is often referred to as the "hand horn" because by placing their hand in the horn’s bell and closing it off to varying degrees, players could alter the notes of the harmonic series to produce a chromatic scale. The 10 detachable crooks (from B-flat basso to B-flat alto) typically supplied with cors d'orchestre allowed the horn to cover the wide range of keys encountered in orchestral repertoire. Changing the sounding length through the use of crooks gave each key its own tonal characteristics. The longer crooks produce a darker, "stuffier" tone, while short crooks sounded bright and trumpet-like. The horn responds best when played with crooks in the middle of its range, thus E-flat, E and F became the most frequently used keys for horn compositions. These subtle timbral differences are lost on the modern horn, which has dispensed with crooks.
#9309: Invention Horn, Part 1
#9308: Invention Horn, Part 2
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Marking: Stamped: on bell garland: Piatet a Lyon
Jayson Kerr Dobney, Bradley Strauchen-Scherer. Musical Instruments: Highlights of the Metropolitan Museum of Art. First Printing. @2015 by the Metropolitan Museum of Art, New York. New York, 2015, pp. 118-119, ill.

"The Brass Instrument Collection of The Metropolitan Museum of Art in New York." Historic Brass Society Journal (1999), vol. 11.

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