Belt
Azzedine Alaïa focuses on the challenges inherent in the transformation of two-dimensional textiles into sculptural three-dimensional garments. Like Balenciaga and Vionnet, Alaia has an obsessive interest in the characteristics and manipulation of cloth. In his atelier, it is not uncommon for the evolution of a textile, or the creation of a pattern, to gestate for months or even years. Because his fashions are not directional, it is possible to observe the steady advancement and refinement of concepts and techniques in each collection.
He built his reputation in the early 1980s on his expertise in cut and construction, creating complex patterns that mold to the female form. This belt of punched leather in an eyelet lace pattern appears to bind the waist as a corset would.
He built his reputation in the early 1980s on his expertise in cut and construction, creating complex patterns that mold to the female form. This belt of punched leather in an eyelet lace pattern appears to bind the waist as a corset would.
Artwork Details
- Title: Belt
- Designer: Azzedine Alaïa (French (born Tunisia), Tunis 1935–2017 Paris)
- Date: ca. 1990
- Culture: French
- Medium: leather, metal
- Credit Line: Alfred Z. Solomon-Janet A. Sloane Endowment Fund, 2014
- Object Number: 2014.498
- Curatorial Department: The Costume Institute
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