Study of Hands (recto); Study for a Reclining St. Francis (verso)

Daniele Crespi Italian

Not on view

This powerful study of hands, drawn after a live model, was used by Crespi for several of his fresco portraits of Carthusian monks at the Chartreuse of Garegnano, in the outskirts of Milan. Repertory drawings such as this one that could be referenced in the making of several figures helped the artist complete the large frescoes in a short amount of time, between 1628 and 1630. The decoration of the Milan Chartreuse, Crespi’s most celebrated achievement as a painter, occurred right before his sudden death in 1630. Datable around the same time (ca.1628) is the lively red-chalk study for St. Frances drawn on the verso of the same sheet: it relates to the same reclining figure in Crespi's altarpice depicting 'The Virgin and Child, St. Francis, St. Charles Borromeo and a donor', formerly in Pavia and now in the Pinacoteca di Brera, Milan. (F.R., 2015)

Study of Hands (recto); Study for a Reclining St. Francis (verso), Daniele Crespi (Italian, Busto Arsizio 1597/1600–1630 Milan), Red and white chalk on blue paper (recto); red chalk on blue paper (verso)

This image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.

Study of Hands (recto); Study for a Reclining St. Francis (verso), Daniele Crespi (Italian, Busto Arsizio 1597/1600–1630 Milan), Red and white chalk on blue paper (recto); red chalk on blue paper (verso)
Study of Hands (recto); Study for a Reclining St. Francis (verso), Daniele Crespi (Italian, Busto Arsizio 1597/1600–1630 Milan), Red and white chalk on blue paper (recto); red chalk on blue paper (verso)

This artwork is meant to be viewed from right to left. Scroll left to view more.