Teatro delle Nobili et Virtuose Donne..., page 23 (recto)

Publisher Mauritio Bona Italian
1616
Not on view
Written by Isabella Catanea Parasole, Italian, ca. 1575-ca. 1625, published by Mauritio Bona, Rome.
From top to bottom, and left to right:
Design composed of 4 horizontal registers that are framed on the left and right sides by borders decorated with diverse foliage patterns. First register is decorated with a wavy vine of an alternating pattern of a fleur-de-lis and another type of flower. Second register is decorated with 2 fleurs-de-lis, one is right-side up and the other is upside-down; there is a curving vine ornamented with diamonds and stripes that connect the 2 fleurs-de-lis. Third register is decorated with a pattern of flowers with curving striped stems. Fourth register is decorated with flowers in the shape of hearts with stems that coil outward.

Artwork Details

Object Information
  • Title: Teatro delle Nobili et Virtuose Donne..., page 23 (recto)
  • Author: Isabella Catanea Parasole (Italian, ca. 1565/70–ca. 1625)
  • Publisher: Mauritio Bona , Rome
  • Date: 1616
  • Medium: Woodcut, engraving
  • Dimensions: Overall: 7 1/2 x 10 7/16 in. (19 x 26.5 cm)
  • Classifications: Books, Prints, Ornament & Architecture
  • Credit Line: Rogers Fund, 1919
  • Object Number: 19.51(23)
  • Curatorial Department: Drawings and Prints

More Artwork

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.