Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky

Cristofano di Michele Martini (Il Robetta) Italian
After Antonio Pollaiuolo Italian

Not on view

The son of the God Jupiter and the mortal Alcmene, Hercules (Herakles in Greek) possessed a superhuman strength that allowed him to defeat tyrants and destroy monsters. As the legendary founder of Florence, he appeared on the city seal already in the thirteenth century. In 1460, Pollaiuolo painted three canvases depicting the labors of Hercules for the great hall of the Medici palace in Florence, the first large-scale mythological decorations of the Renaissance. Robetta's engraving seems to record one of these lost works, in which Hercules battles the Hydra with a torch. By cauterizing the Hydra's wounds with fire, the hero was able to prevent two new heads from sprouting each time one was cut off. Robetta also made an engraving after Pollaiulo's 'Hercules and Antaeus', the pendant painting to 'Hercules and the Hydra'.

Hercules and the Hydra; wielding a torch he attacks the winged, multi-headed Hydra in rocky landscape, a hawk attacks a heron in the sky, Cristofano di Michele Martini (Il Robetta) (Italian, Florence 1462–after 1535 Florence), Engraving

Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.

Open Access

As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.

API

Public domain data for this object can also be accessed using the Met's Open Access API.