Although the landscape is packed with cliffs, boulders, an assortment of trees, and mountains, the viewer is invited to travel the rugged terrain along the stream that begins with distant waterfalls at the top before meandering the length of the narrow composition all the way to the foreground. Two dense inscriptions in the uppermost register fill the composition’s only open space. The inscription at right includes three poems brushed by Yanagisawa Kien. The inscription at left, however, written five years after his death, includes six poems by the literati painter Miyazaki Kinpo (1717–1774). An early leader of the Nanga movement, Kien taught painting to literati artists Ike Taiga (1723–1776) and Kimura Kenkadō (1736–1802) in their youths.
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Artwork Details
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柳沢淇園筆 山水図
Title:Landscape in the Blue-and-Green Manner
Artist:Yanagisawa Kien (Japanese, 1703–1758)
Period:Edo period (1615–1868)
Date:first half of the 18th century
Culture:Japan
Medium:Hanging scroll; ink and color on paper
Dimensions:Image: 53 7/8 × 12 1/2 in. (136.8 × 31.8 cm) Overall with mounting: 82 × 18 1/4 in. (208.3 × 46.4 cm) Overall with knobs: 82 × 21 5/16 in. (208.3 × 54.2 cm)
Classification:Paintings
Credit Line:Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015
Object Number:2015.300.156
[ Yabumoto Shōgorō Japanese, Osaka, Japan, until May 1969; sold to Mr. and Mrs. Burke]; Mary and Jackson Burke Foundation , New York (until 2015; donated to MMA)
New York. The Metropolitan Museum of Art. "Japanese Art: Selections from the Mary and Jackson Burke Collection," November 7, 1975–January 4, 1976.
Seattle Art Museum. "Japanese Art: Selections from the Mary and Jackson Burke Collection," March 10–May 1, 1977.
Minneapolis Institute of Arts. "Japanese Art: Selections from the Mary and Jackson Burke Collection," June 1–July 17, 1977.
Tokyo National Museum. "Nihon bijutsu meihin ten: nyūyōku bāku korekushon," May 21, 1985–June 30, 1985.
Nagoya City Art Museum. "Nihon bijutsu meihin ten: nyūyōku bāku korekushon," August 17, 1985–September 23, 1985.
Atami. MOA Museum of Art. "Nihon bijutsu meihin ten: nyūyōku bāku korekushon," September 29, 1985–October 27, 1985.
Hamamatsu City Museum of Art. "Nihon bijutsu meihin ten: nyūyōku bāku korekushon," November 12, 1985–December 1, 1985.
New York. Asia Society. "Art of Japan: Selections from the Burke Collection, pts. I and II," October 2, 1986–February 22, 1987.
New York. The Metropolitan Museum of Art. "Paintings of the Nanga School," January 27–May 13, 1990.
Schirn Kunsthalle Frankfurt. "Die Kunst des Alten Japan: Meisterwerke aus der Mary and Jackson Burke Collection," September 16, 1990–November 18, 1990.
Minneapolis Institute of Arts. "Post-renovation opening exhibition: Japanese galleries," April 11, 2006–January 17, 2007.
Berkeley Art Museum and Pacific Film Archive, University of California at Berkeley. "Hinges: Sakaki Hyakusen and the Birth of Nanga Painting," October 2, 2019–February 2, 2020.
Murase, Miyeko, Il Kim, Shi-yee Liu, Gratia Williams Nakahashi, Stephanie Wada, Soyoung Lee, and David Sensabaugh. Art Through a Lifetime: The Mary Griggs Burke Collection. Vol. 1, Japanese Paintings, Printed Works, Calligraphy. [New York]: Mary and Jackson Burke Foundation, [2013], p. 256, cat. no. 311.
Carpenter, John T. The Poetry of Nature: Edo Paintings from the Fishbein-Bender Collection. Exh. cat. New York: The Metropolitan Museum of Art, 2018, pp. 82–85, figs. 23, 24.
White, Julia M., Felice Fischer, Tomokatsu Kawazu, and Kyoko Kinoshita, eds. Hinges: Sakaki Hyakusen and the Birth of Nanga Painting. Exh. cat. Oakland, California: University of California, Berkeley, 2019, pp. 80–81, cat. no. 14.
Painting by an unidentified artist , active late 17th century
1676
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