The Dundrum River
Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834–1903) and Alphonse Legros (1837–1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."
A river with steep banks meanders through a wooded landscape.
"Trial Proof: (a) Less work on a flat portion of the bank near the centre of the plate, the corresponding reflection being almost entirely white. Coll. H."
[Source: Harrington, p. 24]
"MMA, Orc, and SCMA have the two trimmed and mounted very closely...State 1(Da/b,Ha) The right portion of the plate of The Two Asses/ Dundrum River after being etched and divided. A river with steep banks meanders through a wooded landscape. With the annotation 'Done under the acid without additional work (D?,u.1.)."
[Schneiderman, p. 129]
A river with steep banks meanders through a wooded landscape.
"Trial Proof: (a) Less work on a flat portion of the bank near the centre of the plate, the corresponding reflection being almost entirely white. Coll. H."
[Source: Harrington, p. 24]
"MMA, Orc, and SCMA have the two trimmed and mounted very closely...State 1(Da/b,Ha) The right portion of the plate of The Two Asses/ Dundrum River after being etched and divided. A river with steep banks meanders through a wooded landscape. With the annotation 'Done under the acid without additional work (D?,u.1.)."
[Schneiderman, p. 129]
Artwork Details
- Title: The Dundrum River
- Artist: Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire)
- Date: 1863
- Medium: Etching and drypoint; trial proof a (Harrington); first state of four (Schneiderman)
- Dimensions: Sheet (trimmed): 5 7/8 × 5 1/2 in. (15 × 14 cm)
- Classification: Prints
- Credit Line: Harris Brisbane Dick Fund, 1917
- Object Number: 17.3.303
- Curatorial Department: Drawings and Prints
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