Divergent Paths

1878
Not on view
Seymour Haden was the unlikely combination of a surgeon and an etcher. Although he pursued a very successful medical career, he is mostly remembered for his etched work as well as for his writings on etching. He was one of a group of artists, including James McNeill Whistler (1834–1903) and Alphonse Legros (1837–1911), whose passionate interest in the medium led to the so-called etching revival, a period that lasted well into the twentieth century. The extolling of etching for its inherent spontaneous qualities reached its pinnacle during this time. While the line of the etching needle, Haden wrote, was "free, expressive, full of vivacity," that of the burin was "cold, constrained, uninteresting," and "without identity."
Close-up view of bushes and two paths converging on a rise.
"State III (H1). Several blanched tree trunks drawn in where there were low bushes in the background. Additional reeds added to the fore and middle distance making this area darker."
[Source: Schneiderman, p. 305]
"Published States: First.-The tree-trunks blanched by age now added, also reeds, & c., on the left. 'Seymour Haden'"
[Source: Harrington, p. 81]

Artwork Details

Object Information
  • Title: Divergent Paths
  • Artist: Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire)
  • Date: 1878
  • Medium: Drypoint; first state of two (Harrington); third state of five (Schneiderman)
  • Dimensions: Sheet: 8 7/8 × 11 5/16 in. (22.5 × 28.7 cm)
    Plate: 5 1/2 × 8 1/16 in. (14 × 20.4 cm)
  • Classification: Prints
  • Credit Line: Harris Brisbane Dick Fund, 1917
  • Object Number: 17.3.2092
  • Curatorial Department: Drawings and Prints

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