Snowdon, after an April Hailstorm [or Snowdon through Clearing Clouds]

Rev. William Kingsley (British), by 1884, then bequeathed to the following; Sylvia Kingsley Hunt (Mrs. Fogg-Elliott) (British), god-daughter of the preceding, then by descent; Vendor: The Maas Gallery Ltd. (British)

New York. The Metropolitan Museum of Art. "Drawings and Prints: Selections from the Permanent Collection," August 8–November 20, 2017.

The Metropolitan Museum of Art. "British Vision, 1700–1900: Selections from the Department of Drawings and Prints," December 7, 2023–March 5, 2024.

The Exhibition of the Royal Academy of Arts. Royal Academy of Arts, 89, London, 1857, no. 761, p. 32, "Snowdon, after an April hailstorm. A.W. Hunt".

Edmund Gosse Notes by Mr. Edmund Gosse on the Pictures and Drawings of Mr. Alfred W. Hunt, exhibited at The Fine Art Society's. London, 1884, no. 61, p. 18, as "Snowdon. (1857) Rev. W. Kingsley".

Exhibition of Drawings in Water Colour by Alfred William Hunt. With an introduction by William Cosmo Monkhouse, exh. cat. London: Burlington Fine Arts Club. London, 1897, no. 28, p. 3, as "Snowdon," 13 1/4 x 19 3/4 in., lent by Rev. W. Kingsley.

Algernon Graves The Royal academy of arts; a complete dictionary of contributors and their works from its foundation in 1769 to 1904. London, 1905, Vol. 4, p. 195, A. W. Hunt, 1857, no. 761: "Snowdon, after an April hailstorm".

The Old Water-Colour Society's Club, 1924-1925. 2, edited by Randall Davies, F.S.A., 1925, no. 761, p. 39, as "Snowdon, after an April hail storm".

Christopher Newall , with contributions by Scott Wilcox and Colin Harrison The Poetry of Truth: Alfred William Hunt and the Art of Landscape. Exh. cat. New Haven: Yale Center for British Art; Oxford: Ashmolean Museum. Oxford: University of Oxford, 2004, no. 6, pp. 62-63, ill.

British Pictures. Dealer cat., The Maas Gallery. London, 2016, no. 9, pp. 12-13, ill.

Degas: A Passion for Perfection Exh. cat. Cambridge: Fitzwilliam Museum; Denver: Denver Art Museum. Edited by Jane Munro, New Haven and London: Yale University Press, 2017, pp. 130-131.