English
DonateMembershipTickets

A Man Tormented by Jealousy Takes Revenge on Cupid

ca.1790–95
Not on view
Trained in Dijon, Gagneraux won the prix-de-Rome and left in 1779 for Italy, where he would spend the remainder of his career. His contemporaries in Rome included Mengs, Sergel, Fuseli, Canova, and David. While line engravings would be popularized by Flaxman and others, Gagneraux was among the first to adopt this manner of printmaking.
In this etching, Gagneraux depicts a large, powerful man in antique dress. He is tormented by jealousy, represented by a frightening old woman with snakes instead of hair who rides on his back by gripping fistfuls of his hair. He in turn prepares to strike Cupid, who kneels on the ground and raises an arm in self-defense. Gagneroux accentuates the planar quality of the composition by adding a dark background in aquatint. The print is a variant of a smaller format line engraving he made as part of a publication of 18 outline prints in 1792. He has carried over the unusual subject, but altered many details, adding classical sandals to the man and giving a Medusa-like head of snakes to the figure of Jealousy.

Artwork Details

Object Information
  • Title: A Man Tormented by Jealousy Takes Revenge on Cupid
  • Artist: Bénigne Gagneraux (French, Dijon 1756–1795 Florence)
  • Date: ca.1790–95
  • Medium: Etching and aquatint
  • Dimensions: Sheet: 20 1/4 × 16 3/4 in. (51.4 × 42.5 cm)
    Image: 14 1/2 × 13 3/4 in. (36.8 × 35 cm)
  • Classification: Prints
  • Credit Line: The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 2017
  • Object Number: 2017.360
  • Curatorial Department: Drawings and Prints
More Artwork
Mercury Delivers the Infant Bacchus to the Nymphs, Bénigne Gagneraux  French, Etching, proof impression, partly reworked in graphite
Bénigne Gagneraux
ca. 1789–90
Guitar, Jean-Baptiste Voboam  French, Spruce, tortoiseshell, mother-of-pearl, ivory, ebony, French
attributed to Jean-Baptiste Voboam
1697
Seated Giant, Goya (Francisco de Goya y Lucientes)  Spanish, Burnished aquatint, scaper, roulette, lavis (along the top of the landscape and within the landscape)
Goya (Francisco de Goya y Lucientes)
by 1818 (possibly 1814–18)
Ceramic Horn, Glazed pottery, French
French
late 18th or early 19th century
Woman Bathing (La Toilette), Mary Cassatt  American, Drypoint and aquatint, printed in color from three plates; fourth state of four (Mathews & Shapiro)
Mary Cassatt
Printer Jointly printed by the artist and Monsieur LeRoy
1890–91

Research Resources

The Met provides unparalleled resources for research and welcomes an international community of students and scholars. The Met's Open Access API is where creators and researchers can connect to the The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.

To request images under copyright and other restrictions, please use this Image Request form.

Feedback

We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please contact us using the form below. The Museum looks forward to receiving your comments.

Send feedback

Content Notice

The Metropolitan Museum of Art presents over 5,000 years of art from around the world, and our online collection reflects ongoing work conducted over the course of our more than 150-year history. You may encounter objects or images that may be inappropriate for some viewers or information that may be outdated.