Lithograph #13

1961

Not on view

Dorazio praised abstraction as a universal language, one that could provide a purely optical experience. Central to his art was the role of color. Rather than assign it symbolic values, he believed that "color possesses a natural autonomy." His work, as such, reflected his goal to expand upon its expressive possibilities. During the period in which this print was made, Dorazio focused on the interaction of colored lines with each other and with the negative space of the pictorial surface—as seen here in the relationships both among the blue lines and between them and the white from the paper support. His art was more than a formal exercise, however, as the artist sought to explore color’s effect on visual perception as well as its ability to impact viewers’ "frames of mind, attitudes, and awareness."

Artwork Details

Object Information

Overview

Signatures, Inscriptions, and Markings

Provenance

Exhibition History

Title: Lithograph #13
Artist: Piero Dorazio (Italian, Rome 1927–2005 Perugia)
Date: 1961
Medium: Lithograph
Dimensions: Sheet: 27 3/8 × 20 7/8 in. (69.5 × 53 cm)
Classification: Prints
Credit Line: Gift of Thomas M. Folds, 1966
Object Number: 66.752
Rights and Reproduction: © 2026 Artists Rights Society (ARS), New York
Curatorial Department: Drawings and Prints

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Moulin Rouge: La Goulue, Henri de Toulouse-Lautrec French, Lithograph printed in four colors; three sheets of wove paper — Moulin Rouge: La Goulue
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1891

Composed Armor, Julian Arrechia Spanish, Steel, copper alloy (latten), leather, Italian — Composed Armor
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ca. 1450–60 and later, restored and composed in the 1920s

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